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Design Perspectives

Ladies First
Women have a lot of clout when it comes to sales, and their
choices in interiors need to be respected.

by Karla J. Nielson, Allied Member ASID, WCAA

In America today, women make the vast majority of all purchasing decisions and hold a substantial amount of financial clout in marketing, according to Faith Popcorn in her new best-seller, “EVEolution: The Eight Truths of Marketing to Women,” co-authored by Lys Marigold. For many years forecasters have been telling companies to focus more of their marketing efforts on women and their daughters because of their matured ability to purchase without anyone’s approval. They have assets of their own and have control over those assets and how they spend them.

This article focuses on interiors that have a particular appeal to women. In this new millennium, and in our world culture, we are more frankly open-minded about reality. Many women and men have learned to accept their differences without apology. Women have certain characteristics that remain constant. These include the following facts:

• Nearly all women think of home and family as an anchor in their lives. Their complex, demanding lives orbit around their homes and their loved ones. Their needs and wants, and those of their families, are never off stage no matter where women are or what they are doing.

• Even women with busy careers never lose touch with their families or their friends. Women network actively to stay in touch and stay connected. They willingly share their opinions and their recommendations with other women—close friends and family as well as professional or casual acquaintances.

• Women are multi-linear thinkers who can manage many tasks simultaneously while still keenly observing in their periphery items that can make their lives more beautiful, meaningful or convenient.

• Women are profoundly aware of integrity in products, in marketing and in service and often demand the best a company has to offer.

They also want more facts before making decisions. They are less willing to accept excuses for shoddy workmanship or inferior performance.

• Mothers are the important influencers in the purchasing decisions of their daughters. “Like mother, like daughter” still holds when it comes to quality and integrity, proven worth and even open-mindedness about new products and styles.

Mothers and daughters alike are furnishing their interiors with their own individuality in mind, respecting the differences in one another’s style preferences. Daughters are respecting the intelligence and wisdom of their mothers, and often will choose the brands their mothers prefer, even if the styles are different.

• Women more openly express their femininity. If a style appeals to them, they will likely accomplish the look for themselves with less concern for pleasing their male counterparts than in the mid-century years and earlier when women were expected to please their man first and to obtain his approval for each purchase.

I like to give my introductory interior design classes the following advice, “Men, if she wants flowers in the bedroom (or anywhere), let her have them! If she feels more like a woman, then you can feel more like a man!” That is not to say that every woman needs flowers, but then what woman doesn’t appreciate them? Men no longer need to feel threatened by an interior that isn’t masculine, because women who feel and appreciate their own femininity can also appreciate a man’s masculinity. There need be no conflict.

• Most of the startup businesses in America are owned by women. They have realized that in corporate America the glass ceiling is still a reality, and they have decided to buck the system and become their own corporate presidents. Right from the start, women-owned businesses establish flex-time and schedule time for family and friends while not diminishing the quality of work accomplished. These businesses often employ others on a part-time or full-time basis.

Women have become empowered and are a force to deal with in every sense of the word. Women are smart, savvy and educated. They are as likely as men to know where their retirement funds and insurance protection stands, where their resources are and how to invest and to disperse them. They plan for the future, and they know what they want in their homes and offices.

THE SAME AND DIFFERENT


Women of all ages (mothers and daughters) are finding their own styles. While they are the same in demanding quality and in looking at the options in new products and materials, there are decided differences in style.

Many mature women find more satisfaction in rich, traditional European-inspired, upscale furnishings with more than a touch of lavishness. Younger women tend to the cleaner look of Pottery Barn, with an early- to mid-20th-century honesty in line and material.

For the more financially endowed mature women, frankly feminine interiors are seen as a reward for their hard work and excellent money managing. Some of the looks that might be preferred by women are as follows.

FRANKLY FEMININE

According to Creative Director Suzanne Houlès of Houlès Worldwide, Europe’s largest trimmings manufacturer, “I’ve noticed a new trend toward a more dressed-up, feminine look in interior design. It’s more complicated, romantic and pretty. This interior reflects the softer, more colorful direction design is now taking.”

CASUAL ECLECTIC

From the clean mid-century modern to the mixture of old and new, this direction is one of casual elegance and good quality, coupled with finds of whimsical, feminine, romantic or quirky accessories.

At the window, both precision and imperfection are seen happily side by side, such as alternative window blinds and shades that control light and assure privacy while side panels (either operable or non-operable) hang limply and in a slightly disheveled manner, casual but somehow classy. The trick is to get the look carefully balanced, to achieve a fresh and uncontrived look while enjoying the best that technology has to offer. The casualness and individuality are a screen or foil for that technology.

MID-CENTURY NOSTALGIA

This look is clean, simple and even naïve—a romantic glance backward to the ’50s with embroidery, butterflies and daisies, gingham and a farm-fresh approach. It is very casual and is often uncluttered.

Natural woods and painted wood furniture are honest and even cute. It is a look that is often budget yet fun with some items of top-notch quality. It is fun and perky, delightful and youthful.

SIMPLE, CONTEMPORARY TRADITIONAL

With so many women in the workforce pursuing careers as diverse as any male population has ever known, many women prefer a look that is clean, tailored, uncluttered, simple, but also traditional, which is a style that will not date quickly.

Fewer women have the time to shop, to dream about what else they would do with that already decorated room. They want styles that will stand the test of time, that will be just as functional and lovely in five years as they are today. In the midst of this upsurge is contemporary traditional: clean updates of historic classics, sometimes over-scaled to fit the newer, cleanly styled, large scaled interiors.

MY STYLE

One more direction that has developed among women is a Style of My Own in which the woman—young, mid-age or mature—says, “I’ll do it my way.” The colors that are personally preferred; the objects that are held most dear, no matter how eclectic; and the furnishings that reflect a life of artistic independence are the bylaws of this direction.

When working with a woman who insists on selecting items and coordinating furnishings that are out-of-the-ordinary, remember that she is looking for support from you, the design professional. To the extent that you can assist her in making her interior right for her personally, you will find your own success in selling products that will meet her needs.

Be open-minded in working with women; they have a lot of clout in the world of sales, and their voices must be respected if you wish to be successful.


Karla J. Nielson, Allied ASID, WCAA, is assistant professor of design at Brigham Young University. She is a practicing interior designer and has authored several books including Window Treatments, Understanding Fabrics and Interiors: An Introduction, 3rd Ed. Nielson is a regular correspondent for Draperies & Window Coverings addressing the areas of fashion, education and merchandising.

 


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