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Design Perspectives

Color Complexity
A look into the future in this second of two parts on working with color.

by Karla J. Nielson, Allied Member ASID, WCAA

Color forecasting is the selection of a palette of colors by experts in the industries of durable home, exterior home, home fashion, home office, fashion, communication/graphics, action/recreation and transportation. The groups who issue forecasts include the Color Marketing Group (CMG), The Color Association of the United States and the International Colour Authority. Information in this color forecast is from CMG, a not-for-profit association of more than 1,700 color and design professionals (www.colormar keting.org).

In this venerated organization, members gather to share ideas and ultimately concur on what direction color will take one to three years out. Recent group workshops focused on color tracking and identifying color movement from previous Palettes. The result is CMG’s 2003 Consumer Colors Current Palette® and 2003 CMG Contract Forecast. Color forecasts serve as a guide for designers developing new colors for new and existing product lines.

The 2003 Consumer Colors Current Palette forecast features 21 colors, up from 16 last year. Colors selected are industry-specific and guide manufacturers to cross-merchandise products so that there is unity and coordination possible in the goods we buy.

TECHNOLOGY AND SPECIAL EFFECTS

Technology and special color effects are the 2003 primary influences on color. Metal coloration adds new direction. The newness of liquid silver and its techno-influence when married to gold or to white is equally important to the shimmering elegance of golden tones and the opulent impact of silver.

The search for the perfect blue yields four perfect directions for blues. Whether safe and grounded, watery or atmospheric, forecast blues invigorated and enliven consumer products while providing steadfast assurance and stability during cloudy economic times.

Technology will continue to open doors to new colors and special effects, which allow old colors to look new. Silger, gold/silver special effect, is a strong forecast direction for fashion in 2003.

WHAT AILS THE ECONOMY

Workshop participants agreed that the ailing economy is the primary influence on the 2003 Consumer Color Directions Palette. “We have experienced newfound energy using full chroma hues that can lift our spirits and provoke our senses. With a real yell, we protest a total shift to ‘Establishment colors,’” says Barbara Lazarow, CMG, co-chairman, Consumer Color Direction Committee, Blonder Wallcoverings, Cleveland, OH. “For color we look to the prosperous times of the ’20s and ’60s and to the glamour of the ’30s and ’40s.”

Automobiles sport Gatsby colors in glittering golds and pearlescent whites as well as silver-tinted whites and taupes. These colors translate well into luxury fashion as the Fashion Workshop discussed rich velvets, shimmery stains and vintage Valentino.

EMERGING TRENDS

Consumer Color Directions are being impacted by the following emerging trends:

• Commercialized nature colors will dominate new products and the desire for natural bright on action/recreation products. The influence of energy-boosting, saturated chromatics from the ’60s on color for these products will be evident by 2003. A more energized dusty rose form of mauve will return as well and violet.

• Fashion forecasts two blues for 2003, one a turquoise and the other is Deep Arctic, which appears on CMG’s 2003 Consumer Color Directions Palette.

CONTRACT/COMMERCIAL COLOR

The Contract/Commercial Colors for 2003 follow fashion’s lead by creating Fashion Fusion, described as a human connection to our various daily environments of office, heath care, retail, and hospitality/entertainment.

These forecast colors in contract industries will reflect a return to elegance and sophistication with more luxurious components that reflect subtle and complex nature influence.

Says Jay de Sibour, CMG, marketing consultant, Kenvil, NJ, “Color is no longer uni-dimensional. New technologies in color design, materials and manufacturing have opened an exciting world of color expression for creators and users of color in all industries. Pearlescence, metallics, iridescence, texture, layering and even colors that change with lighting conditions have given designers the ability to create fresh approaches to their products and materials.”

FASHION AND TECHNOLOGY

Contract Colors in 2003 will more strongly reflect trends in fashion and technology, with a balance of the influences of sociological, environmental and political themes that are ever-present. An example of a well balanced environment may be found in the office design of high-tech companies, currently known for their bright, high-energy environments. These companies will move toward a more permanent and stable atmosphere.

“Fashion’s influence of luxurious fabrics in warm, comfortable color combinations, complemented with fine handcrafted detail, will be instrumental in creating a personal connection to our surroundings,” states CMG Contract Color Directions Co-Chairman, Karen Martin, CMG, Beaulieu Commercial, Adairville, GA.

Moved by technology, color will be renewed by metallic and special finishes. Design’s tactile quality will strengthen as texture and pattern will be biologically connected. Color and finish will be so intertwined, we will not be able to think of one without the other in 2003. This complexity will be important to the consumer in adding the quality appearance desired in the marketplace.

“New Technology has allowed us to view color as three-dimensional instead of just a flat surface,” explains CMG Contract Color Directions Co-Chairman, Kristin Fraidenburgh, CMG, American Silk Mills Corp., New York, NY. “Metallic, pearlized, holographic, lacquered and sueded effects are just a few special finishes that are being combined with color to change its dimension. It is a growing belief that special effect is inherent to the color and that they are meaningless if separated.”

For more information contact: Color Marketing Group, 5904 Richmond Highway, Suite 408, Alexandria, VA 22303-1864; (703) 329-8500; fax: (703) 329-0155; e-mail: cmg@colormarkeing.org; www.colormarketing.org.

<< PART ONE: THE BEAUTY OF NEUTRALITY



Karla J. Nielson, Allied ASID, WCAA, is assistant professor of design at Brigham Young University. She is a practicing interior designer and has authored several books including Window Treatments, Understanding Fabrics and Interiors: An Introduction, 3rd Ed. Nielson is a regular correspondent for Draperies & Window Coverings addressing the areas of fashion, education and merchandising.

 


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